“Munk-Nielsen is obviously a gifted player with outstanding technique, but more important, he displays a real interpretive flair that produces an interesting and individual take on this material.”
“The op. 24 Impromptu projects a powerful, dramatic Affekt that is brought out clearly by Munk-Nielsen. Its sibling from the earlier op. 5 features unusually crystalline passagework by the pianist, something that recurs throughout the entire album.”
“The end of the movement is quite striking (1st movement Fantasie), Munk-Nielsen contrasting staccato and legato phrasing in succeeding phrases to a degree I have not heard before.”
“All in all, a very successful and satisfying debut disc, highly recommended.”

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